Monday, May 29, 2017

Billions for a Basquiat!!!

Closer to home, where I seem to be staying more and more lately, the big news in the NYC art world last week was that a Basquiat painting, this Basquiat painting, sold at auction for $110,000,000.  That's right, one hundred and ten zillion dollars, to a 41 year old Japanese fashion billionaire who just had to have it, paying almost twice the pre-auction estimated price.


The painting, described as "virtually unknown" prior to the auction, being in a "private collection since 1982" raises big provenance questions for me, anyway.  Considering the frequency with which people are coming across "new and previously undiscovered" Basquiats, I sometimes wonder how many are real and how many are found by dumpster divers hanging around the side doors of local elementary schools.  Even if the above one was the real McCoy, which I'm sure it may be, I couldn't imagine where I would hang it without being mortified by my judgement, and how I would justify this expense to friends, family, or myself.  

Working within my price range, and following the long standing principle that you should only buy what you like (which would have left me out of the bidding on the Basquiat), I recently bought this lovely little painting of a motor scooter,

by Chester DeWitt Rose, for $400, and I get great pleasure out of looking at it every time I pass by it,  and have no buyer's remorse, but I do like to wonder what would be hanging on my walls if I did have a billion or two.  Hopefully I would remain the sensible person I like to think I am, but probably not.


Thursday, May 18, 2017

My morning at the Morgan Library with Emily Dickinson...

I no longer find roaming around NYC of much interest.  The city I grew up in no longer exists and I am old.  It is now someone else's city now.  I now find myself lost and disoriented when I am there.  But since we are still there often enough, I have begun to spend more time in Brooklyn, and making surgical strikes to visit places I never had time for in the past.  One such place is the Morgan Library.   I can only attribute my prior avoidance to the place to the jumble of conflicting feelings surrounding my distain for the blind grasping power of vast wealth that Morgan represented, my love of books and my ignorance of what was there, or maybe just not being able to fit it in.  My loss!!!

But now, I finally got to the J.P. Morgan Library and Museum on Lexington Avenue and 36th Street in Manhattan.  It is indeed a monument to the insatiable, grasping power of vast wealth that allowed for pillage, plunder and the capacity to buy antiquities by the boat load, but in Morgan's case it is so much more.  In his minds eye, he had vision of how it would be, and like everything else he did, he succeeded.   He created a transcendent work of art in its own right, having the very good sense to know what he wanted and admired and hiring buying agents with the taste and intelligence to intuit their employers intent and to collect well.  The result, shown in part below was the creation of a Renaissance palazzo dedicated to the accumulatation  of knowledge, art and history housed in the most spectacular surroundings and bequeathed to the people of New York.  The man was a glutinous omnivore, but you've got to love him.  He loved books and with them, built something transcendent.  He created an object of art worthy of Michaelangelo and shared it with the world; money well spent.  

                               Images borrowed from Morgan Library website

J.P.Morgan was not a scholar or a reader of books to any degree, but distinct from other robber barons of the era who just bought lots of stuff, he amassed a vast collection of books and manuscripts which speak to his deep UCS longing for the scholarship and the academic life that eluded him in lieu of his worldly pursuits, but which he was able to acquire in the only way he knew how, to buy it.  It's a fact that you can't do it all, but he loved books and loved what they represented.   Somewhere in his soul he longed to be a scholar, and he created a spiritual experience, a temple to knowledge housed in an inspiring setting that he obviously worshipped in and then left it to the world.  The library has three Gutenberg Bibles, this is the one on display and the only worthwhile picture I took that morning.

An interesting counterpoint to this breathtakingly grand display of wealth and power, was the special exhibit on display during my visit there on the life and works of Emily Dickinson, whose physical existence was as small, understated and unadorned as a cloistered nun, whose needs appear to have been minimal, and whose mark on the world were little more than a few scrawled poems on scraps of paper that filled the draws of her room.  Barely enough physical evidence of her existence to fill the small room housing the exhibit.  Unlike the Morgan Library which overwhelms and engulfs, forcing itself on you and commanding your attention and indeed reverence, Dickinson's presence is barely felt at all, forcing you to squint to seek her out and struggle to connect the dots of the shards of evidence testifying that this small, introspectively rich inner life even occurred.   Interestingly the exhibit is named for the first line of a poem that displays a sense of self that is the anthisis of the ego of Mr. J.P. Morgan:

                                             I'm Nobody!  Who are You?
                                            Are you - Nobody - Too?
                                            Then there's a pair of us!
                                            Don't tell! they'd advertise - you know!

                                            How dreary - to be - Somebody!
                                            How public - like a Frog-
                                            To tell one's name - the livelong June-
                                            To an admiring Bog!

Was Emily's reference to the Frog, a veiled jab at the puffed up Mr. Morgan?  We'll never know.


Thursday, May 4, 2017

Sag Harbor Theater...RIP

April 25, 2017

Jackie and I have been staying in Riverhead for the past week for family visits, a wedding and to take pictures if only it would stop raining long enough to plant my tripod.  To boost our soggy morale, a lunch at the Dockside in the old American Legion Hall in Sag Harbor seemed like just the thing.  Sag Harbor is fortunate to have been just far enough off the beaten path and not particularly well publicized so that they have avoided any of the crass commercialization that is so often inflicted on quaint old fishing villages in the USA.  The streets are quiet and evocative, with a sense of authenticity that provides a glimpse into the past, where on a cool, damp morning, the smell of the sea pervades the air with its nautical presence.

The main street still slopes gently down to the wharf, harbor and the sea and the streets are still a hub of local commercial activity with not a tee shirt shop in sight.  For me, two important lynch pins to the charm of Sag Harbor have always been the American Hotel dating back to the 1800's, still elegant and exuding old world charm, and the 100 year old Sag Harbor Theater which was there in the middle of town last time we were there in the fall of 2016 and is now an empty lot, having burned to the ground in December of 2016.  Its smiling face no longer greets visitors, brightly reminding them where they are and how lucky they are to be there.  Much has been lost.